Wassa Dance

Wassa’s Savory Autumn Retreat Oct. 9-11, 2015

WASSA DANCE’S
SAVORY AUTUMN INTENSIVE
with Lara McIntosh
Madrona MindBody Institute
Fort Warden in Port Townsend, WA.
Friday Oct. 9 – Sunday Oct. 11th, 2015

20131013_161914_2_2

Join us for a delicious autumn weekend of inspiration and concentrated experiences of Wassa Dance’s joyful African-infused offerings at one of the Puget Sound’s most beautiful resources for movement studies.
Inspired by the elemental roots of music and moves from Africa and the Americas, this retreat is designed for people who love to move in a nourishing, structured environment. Our sessions will include image-rich movement meditations, floor work and stretching, along with spirited dancing in Wassa’s unique style.

 Our lodging option is full.

There is still room for you on the dance floor on Saturday and/or Sunday. We’d love to have you join us.
Please contact lara@wassadance.com for more details.

 

mini autumn bowl

More about Madrona MindBody Institute.

Wassa Dance Clips- Thanks-Giving 2014

Here’s the first of the sweet bits from Wassa Dance and Village Volunteers‘ 11th Annual Dance by Donation Fundraiser. We had a most wonderful time with 70+ dancers raising $3,600 in an hour’s class for this year’s micro lending partner SISI FUND in Kenya.

WASSA DANCE with ALOHA #15

Yes indeed! We will be returning for our 15th beautiful year of dancing at
Kalani Oceanside Retreat Center on the Big Island, Hawaii.
IMG_0372The dates are February 7-13, 2016
Lodging options are limited this round.

IMG_0370 (1)Please contact Lara at lara@wassadance.com
Aloha Still Life 3:14

Join us this winter in seeding a new season of our potential for ease and joyful vitality.
Come as you are, let the rhythms dance you deeper.

We will be
– cultivating fresh vibrancy in our physical wit and wisdom.
– immersing ourselves in afro-infused dance inspired by some of the best music the world has to offer.
– engaging our senses in the complex natural and cultural beauty that IS the Big Island. Ocean meets lava, mongoose, wild pigs, tree frogs, bird song, hula, solar power, compost, and not so far away strip malls all co-existing while Pele makes the newest earth in the world. 

This sweet 6 night island style intensive features daily sessions of movement meditations and personal tuning leading into spirited dance segments in Wassa’s unique ways. Most afternoons and evenings are purposefully left open for participants to enjoy their own experience of the many delights and resources of Kalani and the island
Delicious daily buffet style meals, accommodations and use of Kalani
ʼs grounds, pool and spa are included.
* Spontaneous offerings for group or individual sessions TBA. 

LODGING OPTIONS / RATES*:
Lodge Rooms: sold out, contact Lara for wait list.
Bungalow: $1,770 single / $1,410  double
Lofts and Treehouses: $1,890 single/ $1,500 double
Tropical Cottages: $2,340 single / $1,710 double
A deposit of $300 holds your space.
Second installment due by Oct. 31 and final payment by December 31, 2015.

Wassa Cancellation Policy: Until December 15, 2015, deposits are refundable minus a $50 administrative fee. After December 15, 2015, there are no refunds on deposits unless I can replace your reservation, $50 administration fee applies.


*Prices subject to change without notice for unregistered participants.

For island residents or vacationers wishing to attend the daily dance intensive without Kalani lodging or meals, drop-in rates per class and weekly options are available as space allows. Pre-registration is strongly suggested for this option–which also includes a Kalani day pass with each class/series purchased. Lodging and meal options at Kalani may be purchased separately through Kalani.

Kalani Honua Retreat Center: Kalani means Harmony of Heaven and Earth and is located on 19 coastal acres of tropical beauty on the SE coast of Hawaii. Dramatic lava cliffs provide a haven for sunbathers, stargazers, whale watchers and those seeking a deep connection with the earth and sea. Other offerings at Kalani at additional cost include: Hawaiian and Thai massage, Yoga, Bodywork, Watsu (water-based bodywork) and Hawaiiana/Hula Classes.
For more info on Kalani: 
www.kalani.com
To book airport shuttles, please call Kalani’s Guest Services at 800-800-6886  at least a week prior to travel.



Wassa at Night- Accelerated Series

Night time
is the right time
for fun-fun dancing.

Saturday's Beauties

 

 

 

 

 

 

 

Thursdays
Oct. 22 – November 19, 2015
6:15-7:15 p.m.
Balance Studio
418 North 35th Street
Seattle, WA 98103
$ 50 for the series* or use your 10 class card.

Drop-ins are welcome: $15 at the door.

This series offers a lively hour of choreographic fun designed to shake off the day and let our playful minds and bodies dance. 
Please contact Lara to sign up.
*no refunds or extensions on individual series purchases

Restorative Movement session 12-4-14

I hope you can join us for a special session of restorative movement on Thursday December 4.
6:15-7:15 p.m. at Balance Studio.

This will be our last Thursday evening session of 2014 and it seems a very good time to slow down and nourish our bodies as we head into this busy winter season.

Use your dance card, monthly subscription and $15 drop in.

Report from the Accelerated series 11-20-14

We had a blast tonight putting together two pieces of movement that have been cultivated separately over the past 3 months or so!

The movement keeps being informed by different pieces of music. Tonight we danced with MC Solaar’s HIJO de AFRICA and Lala Njava’s VOATSE.

Fun fun fun.

Next session in Dec. 4 and that will be a restorative movement session to close the season.

We’ll pick up the series again in January. I can’t wait!

 

JeConte and the Mali All Stars at Jazz Alley 11/17/14

This show features a blend of international musicians along with some of Seattle’s very talented African and Funk/Blues artists.

Our good friends at Jazz Alley are offering the Wassa Dance community two for one admission if you call in for reservations and mention “Wassa”. Such a deal!   That leaves $ for a nosh and a tip for your server at this special show.

maliallstars2014_2

For more about the artists and the show: JeConte and the Mali All Stars

I hope to see you there!

 

Wassa Dance and Village Volunteers’ 11 Annual Thanks-Giving Dance by Donation

This year’s event was a beautiful thing.  65+ dancers of many ages came.  We raised $2,500 at the door with more donations coming in and corporate matching funds to add soon. Our musicians Thierno Diop, Caxambu Silverman, Denny Stern, Shemayim Elohim and Larry Swanson created such wonderful music to inspire and bring us all together in movement and spirit. Stay tuned for moire details and images.

Judith Ryan’s Video Postcard from Wassa Dance & Village Volunteers’ Thanks-Giving

Here comes my favorite event of the year where the musicians and I donate our time and ARC DANCE donates the space for this wonderful session that has become a beloved local tradition inviting a broad community to come together, dance, and share our resources with meaningful micro-lending projects in Africa.

Wassa

Wassa Dance and Village Volunteers’ 11th Annual Thanks-Giving Dance by Donation
featuring some of Seattle’s finest percussionists
and Lara of WASSA DANCE, who will lead us in joyful African inspired movement.

Thursday, November 27th, 2014 9:00 -10:15 a.m.
at ARC DANCE  9250 14th Ave. NW Seattle WA 98117 (Ballard)
(Please plan to dance barefoot at this event!
)

Dance with us and contribute to a woman’s opportunity for economic freedom and independence.

Donations will go to the SiSi Fund (“Sister to Sister”) and Lenana Girls School students in Kiminini, Kenya. Your donations will provide small micro-loans to women, helping them start a micro-enterprise and will provide young women entrepreneurs with internship opportunities.

All donations are tax-deductible and eligible for company matching funds.
If you can’t attend and want to contribute, send a check with “Wassa” on the memo line to: Village Volunteers, 5100 South Dawson Street, Suite 202, Seattle, WA 98118

For More Information:

Contact Lara for event questions: lara@wassadance.com
Wassa Dance: www.wassadance.com
Village Volunteers: www.villagevolunteers.org, shana@villagevolunteers.org or 206-683-6681

Wassa Dance – Spring Tuning

WASSA DANCE – SPRING TUNING
March 28 – April 2, 2015
Kalani Oceanside Retreat Center – Big Island, Hawaii

Aloha Still Life 3:14

Join us in seeding a new season of our potential for ease and joyful vitality.
Come as you are, let the rhythms dance you deeper.

We will be
– cultivating fresh vibrancy in our physical wit and wisdom.
– immersing ourselves in afro-infused dance inspired by some of the best music the world has to offer.
– engaging our senses in the complex natural and cultural beauty that IS the Big Island. Ocean meets lava, mongoose, wild pigs, tree frogs, bird song, hula, solar power, compost, and not so far away strip malls all co-existing while Pele makes the newest earth in the world.

This sweet 5 night island style intensive features daily sessions of movement meditations and personal tuning leading into spirited dance segments in Wassa’s unique ways. Most afternoons and evenings are purposefully left open for participants to enjoy their own experience of the many delights and resources of Kalani and the island
Delicious daily buffet style meals, accommodations and use of Kalani
ʼs grounds, pool and spa are included.
* Spontaneous offerings for group or individual sessions TBA.

To inquire or register contact Lara McIntosh: lara@wassadance.com

EARLY BIRD SPECIALS AVAILABLE!
Spaces are limited. Early registration is advised.
Registration requires $250 non-refundable deposit.

LODGING OPTIONS / RATES*:

Ocean Cottage: $1,999 single / $1,499 shared
Bungalow: $1,675 single / $1,350 shared
Lodge Room (private bath): $1,475 single / $1,225 shared
*Prices subject to change without notice for unregistered participants.

**For island residents or vacationers wishing to attend the daily dance intensive without Kalani lodging or meals, drop-in rates per class and weekly options are available as space allows. Pre-registration is strongly suggested for this option–which also includes a Kalani day pass with each class/series purchased. Lodging and meal options at Kalani may be purchased separately through Kalani.

Kalani Honua Retreat Center: Kalani means Harmony of Heaven and Earth and is located on 19 coastal acres of tropical beauty on the SE coast of Hawaii. Dramatic lava cliffs provide a haven for sunbathers, stargazers, whale watchers and those seeking a deep connection with the earth and sea.

Other offerings at Kalani at additional cost include: Hawaiian and Thai massage, Yoga, Bodywork, Watsu (water-based bodywork) and Hawaiiana/Hula Classes.
For more info on Kalani:
www.kalani.com

Please call Kalani’s Guest Services at 800-800-6886 to book airport shuttles at least a week prior to travel.

Epic spirit Geoffrey Holder passes

This week Geoffrey Holder passed away. He was a true Renaissance man.   Our legacy of arts and culture are  greatly enhanced by his time on earth.

http://en.wikipedia.org/wiki/Geoffrey_Holder

Here are splendid tidbits from him :

 

Here’s a letter Leo Holder wrote about the last days with his father.

A little more than a week after developing pneumonia, Geoffrey Holder made a decision. He was calling the shots as always. He was done. 2 attempts at removing the breathing tube didn’t show promising results. In his truest moment of clarity since being rolled into I.C.U. he said he was good. Mouthing the words “No, I am not afraid” without a trace of negativity, sadness or bitterness, he sincerely was good with it. He had lived the fullest life he could possibly live, a 70 + year career in multiple art forms, and was still creating. Still painting, a bag of gold (of course) fabric and embellishments in his room for a new dress for my mother, sculptures made out of rope, baseball caps and wire hangers. New ideas every second, always restlessly chasing his too fertile mind. A week of breathing tubes and restrained hands had forced him to communicate with only cryptic clues which I was fortunate enough to be able to decipher at best 40% of the time.
The fact that we all struggled to understand him enraged him to the point that he could sometimes pull tantrums taking up to 4 people to restrain him from pulling out the wires. He was head strong (understatement), but he was also physically strong. Iron hand grip that no illness could weaken. 9 days of mouthing words that, because of the tubes, produced no sound forcing him to use his eyes to try to accentuate the point he was trying to make. But this didn’t mean he wasn’t still Geoffrey Holder. This didn’t mean an end to taking over. Holding court as he always did.
Directing and ordering people around. Choreographing. Getting his way. We still understood that part, and the sight of his closest friends and extended family brought out the best in him. Broad smiles in spite of the tubes, nodding approval of anything that met his standard (which was very high), and exuding pride and joy in all those in whom he saw a spark of magic and encouraged to blossom. The week saw a parade of friends from all over the world checking in to see him, hold is hand, rub his head, and give him the latest gossip. But he was still trying to tell me something, and although I was still the best at deciphering what he was saying, I still wasn’t getting it.

Saturday night I had a break through. After a good day for him, including a visit by Rev. Dr. Forbes, Senior Minister Emeritus of Riverside Church who offered prayer and described Geoffrey’s choreography as prayer itself, which made him beam, I brought in some music. “Bill Evans with Symphony Orchestra”, one of his all time favorites. He had once choreographed a piece to one of the cuts on the album… a throwaway ballet to fill out the program, but the music inspired him. From his bed, he started to, at first sway with the music, then the arms went up, and Geoffrey started to dance again. In his bed. Purest of spirits. Still Geoffrey Holder. Then he summoned me to take his hands, and this most unique dancer / choreographer pulled himself up from his bed as if to reach the sky. It was then I broke the code: he was telling me he was going to dance his way out. Still a Geoffrey Holder production. If it had been up to him, this evening’s solo would have been it. The higher he pulled himself up, the higher he wanted to fly. I had to let him down. Not yet. There are friends and family coming in from out of town. He resignedly shrugged his shoulders, closed his eyes and went to sleep.

I got it. Really. I got it. I walked out of the hospital elated. Ate a full meal for the first time in days, slept like a baby after. The next day would be his last. I was not sad. It wasn’t stressful for me to deal with him in this state. It was an honor and a privilege to tend to anything he needed. This impromptu dance was his dress rehearsal.

Next morning, I show up early. Possible second thoughts? Should we wait? What if he changes his mind? Did he understand what we were talking about here? Thoroughly. Mind as clear as crystal. “You still game for our dance tonight?” A nod, a smile, and a wink, with tubes still down his throat.. We’re still on. But he still wants to do it NOW. NOT later. He’s cranky. Sulks a while. Sleeps a while. Eventually snaps out of it.

From noon on, a caravan of friends and family from all over the globe come through the ICU wing. Ages 1 to 80. Young designers and artists he nurtured and who inspired him. YOUNGER dancers he encouraged to always play to the rear balcony with majesty. The now “elder statesmen” dancers on whom he built some of his signature ballets. His rat pack of buddies. Wayward saints he would offer food, drink, a shoulder to cry on, a couch to sleep it off, and lifetime’s worth of deep conversation and thought. Closest and oldest friends. Family.

They know they are here to say goodbye. He knows they are here to say goodbye. He greets them beaming with joy to see them. By this time I’m reading his lips better and am able to translate for him as much as I can. The last of them leave. It’s time for his one true love to have her time with him. His muse. Her champion. This is their time. 59 years distilled into 5 minutes of the gentlest looks and words as she caresses his noble brow one last time. She puts a note she wrote to him in is hand. She leaves.

Everyone is gone except me. My moment. I will be with him as he goes.

One more time: “you good?” Nod & faint smile. ‘you ready?” He is.

I have asked the doctors to not start the morphine drip right away, because I want him to have his solo on his own time. Knowing him, he might stop breathing right after his finale. For dramatic effect. He’s still Geoffrey Holder.
They remove the tube that has imprisoned him for the past 9 days and robbed this great communicator of the ability to speak. I remove the mittens that prevent his hands from moving freely.

I start the music, take his hands and start leading him, swaying them back and forth. And he lets go of me. He’s gonna wing it as he was prone to do when he was younger. Breathing on his own for the last time, Geoffrey Holder, eyes closed, performs his last solo to Bill Evans playing Faure’s Pavane. From his deathbed. The arms take flight, his beautiful hands articulate through the air, with grace. I whisper “shoulders” and they go into an undulating shimmy, rolling like waves. His Geoffrey Holder head gently rocks back and forth as he stretches out his right arm to deliver his trademark finger gesture, which once meant “you can’t afford this” and now is a subtle manifestation of pure human spirit and infinite wisdom. His musical timing still impeccable, bouncing off the notes, as if playing his own duet with Evan’s piano. Come the finale, he doesn’t lift himself of the bed as he planned; instead, one last gentle rock of the torso, crosses his arms and turns his head to the side in a pose worthy of Pavlova. All with a faint, gentile smile.

The orchestra finishes when he does. I loose it.

They administer the morphine drip and put an Oxygen mask over his face and I watch him begin taking his last breaths.

I put on some different music. I sit and watch him sleep, and breathe… 20 minutes later, he’s still breathing albeit with this gurgling sound you can hear though the mask. Another several minutes go by, he’s still breathing. Weakly, but still breathing… then his right hand starts to move. It looks like he’s using my mother’s note like a pencil, scratching the surface of the bed as if he’s drawing. This stops a few minutes later, then the left hand begins tapping. Through the Oxygen mask the gurgling starts creating it’s own rhythm. Not sure of what I’m hearing, I look up to see his mouth moving. I get closer to listen: “2, 3, 4….2, 3, 4… He’s counting! It gets stronger, and at it’s loudest sounds like the deep purr of a lion, then he says “Arms, 2, 3, 4, Turn, 2, 3, 4, Swing, 2, 3, 4, Down, 2, 3, 4….”

I called my mother at home, where she was having a reception in his honor. She picks up. There are friends and family telling Geoffrey stories simultaneously laughing and crying in the background.

“Hi, honey, Are you alright?”

“Yes actually… he hasn’t stopped breathing yet.” I tell her about his solo, which brings her to a smile and a lightening of mood. I continue:

“Can I ask you a question?”

“Sure Honey. What?

“Who the hell did you marry?”

“What do you mean?”

“You’re not gonna believe this. He’s got a morphine drip, going on over half an hour, an Oxygen mask on, his eyes closed, AND HE’S CHOREOGRAPHING!”

This brings her to her first laugh of the day. She now knows we will be alright.

He continues on like this for quite a while, and a doctor comes in to take some meter readings of the machines. I ask the doctor if this is normal. As she begins to explain to me about the process, his closed eyes burst open focused straight on us like lasers and he roars with all his might: “SHUT UUUUUUUUUUUUUP!!! YOU’RE BREAKING MY CONCENTRATION!!!!!!!”

We freeze with our mouths open. He stares us down. long and hard.

Then he closes his eyes again, “Arms, 2, 3, 4, Turn, 2, 3, 4, Swing, 2, 3, 4, Down, 2, 3, 4…”

He continued counting ’til it faded out, leaving only the sound of faint breathing, slowing down to his very last breath at 9:25 pm.

Still Geoffrey Holder.
The most incredible night of my life.
Thank you for indulging me.

Love & best,
L